Iphigenia Postcard

an NYC premiere production


The Access Theater
380 Broadway, NYC
October 19th-28th, 2017
Tickets: $5-18

"In the empty living room of a shabby apartment, a Beast is crying. There is just enough light to see that he is monstrous, and clutching something precious to him."

Beauty never showed up. Centuries after the curse, the Beast and his last remaining magical servant are holed up in a ramshackle apartment, managed by a mysterious landlady with a suspicious taste for gingerbread. When an eligible maiden moves in next door, "happily ever after" feels agonizingly within reach, but we all know that in fairytales, nothing is exactly as it seems. Full of humor, magic, and belief in the life-altering power of love, Glassheart is a witty and decidedly adult take on a classic tale that explores the space between light and dark, and the sacrifices we make in search of an ordinary life.


Carey Cox CAREY COX* (Aoife) is an NYC actress with a mobility disability called Ehlers Danlos Syndrome.  She received a BFA in musical theater from Santa Fe University of Art and Design and an MFA in acting from UNC Chapel Hill where she performed with PlayMakers Repertory Company in Three Sisters, Seminar, Mary’s Wedding, We are Proud to Present…, Trouble in Mind, Into the Woods, Metamorphoses, and others.  Carey recently made her Broadway debut understudying Laura Wingfield in The Glass Menagerie directed by Sam Gold.  She is excited to be working with Everyday Inferno for the first time!
Chris Diaz CHRISTOPHER ALEXEY DIAZ* (The Beast) is ecstatic to be a part of the NYC premiere of Reina Hardy's Glassheart with Everyday Inferno Theatre Company. He was last seen on stage in The Night Shift's production of Measure for Measure as Claudio. Past credits include Aaron Henry/Harrison/James Chaney in All the Way, George in Ah, Wilderness (Asolo Repertory Theatre), Jaques in As You Like It, Morton Gross/Barker in The Water Engine, Petya Trofimov in The Cherry Orchard (FSU/Asolo Conservatory), Tybalt (Hope Summer Repertory Theatre) & Red Cheetah in Reading! And Other Superpowers (Creede Rep). Thank you to my inimitable parents, Terry & Yadira.  ENJOY THE SHOW!
Meghann Garmany MEGHANN GARMANY*† (Only) is a core company member of Everyday Inferno and has been seen previously in EITC productions including Reina Hardy's A Map to Somewhere Else and the development of Nora Sørena Casey's Dreams of Malinche and Regina Robbins' Quicksand as part of the 2017 Access Theatre residency. Other credits include The Mask of the Jaguar King (The Schoolhouse Theatre, Croton Falls NY), Bonesetter: A Tragislasher (Spicy Witch Productions), The Woman American (Samuel French OOB Festival), and Fengar Gael's Devil Dog Six. Meghann is an alumna of the Theatre Arts Department of Virginia Tech. She is thrilled to go on yet another magical journey with Everyday Inferno and hopes you will continue to join and support us. @MeghannGarmany (Twitter and FB), @TheGarm (Instagram), www.MeghannGarmany.com
Virginia Roncetti VIRGINIA RONCETTI* (The Witch) is delighted to work with EITC for the first time. Off-Broadway: A Brush with Georgia O'Keeffe; Regional and Canada: Noises Off, The Foreigner, Moon Over Buffalo, The Au Pair Man, Blithe Spirit, The Relapse, Julius Caesar, Nurse Jane Goes to Hawaii, The Fox, Journey of the Fifth Horse, The Master Builder, There Goes the Bride, Sextet, The Gift of the Magi. Off-Off Broadway: The Astonishing Times of Timothy Cratchit, The Trial of Klaus Barbie, Moo, The Black Devil, Willathon, On the Eve, Hyperactive. Canadian national and regional commercials. Film and television: Exhibit A (The Learning Channel); Flower Shop (Boro Films); The Search (Triangle Films). Member of the WorkShop Theater Company since 1997, where she has co-produced 3 editions of Unknown Country, playreading series introducing Canadian plays to New York. Honorary Member of the Playwrights Guild of Canada. Proud member of AEA, CAEA, SAG-AFTRA, ACTRA. For Frances and Willie.
CAITLYNN BARRETT (Set Designer) is excited to be joining the Everyday Inferno team for the first time with Glassheart. Caitlynn has her B.A. in Theatre Arts from the State University of New York at New Paltz. There she designed Oklahoma! & a collection of one-act plays named Surreality: An Evening of Sh*t That May Be Deep. She has recently designed Joseph & the Amazing... at the Bigfork Summer Playhouse in Bigfork, MT & The Whipping Man at Shadowland Stages in Ellenville, NY. She is currently working on the designs for the premiere of the new musical LoveCourt with Isle of Shoals Productions Inc. in Manhattan, Constellations with Tangent Theatre Company in Tivoli, NY, and Chess with The Gallery Players in Brooklyn. Caitlynn enjoys sketching at museums, zip lining, road trips, and Irish folk music.
ALLISON BELER (Choreographer & Movement Consultant) Originally from Metairie, Louisiana, Allison Beler attended the University of Southern Mississippi where she received her BFA in Dance Performance and Choreography. Allison has previously worked with Barbie Diewald of TrioDance Collective, Rachel Rizzuto of Touche Pas Dance, Christy Walsh of Stringdance+media, and Vital Theatre Productions. She currently holds a company member position with Mari Meade Dance Collective and is a Teaching Artist with New York City Ballet.
PETER CHARNEY (Assistant Director) is simply enchanted to be working on Glassheart with the Everyday Inferno Theatre Company. Peter is a recent graduate of Hofstra University with a BFA in Directing and has completed the Yale Summer Directing Intensive. Directing: The Puppet Show Man (Dixon Place), Seussical (Hofstra), Student Body (Hofstra). Peter is the composer of Bright and Brave: A New Musical, which is currently in development. Peter currently works for Sleep No More and Jujamcyn Theaters, and is a proud associate member of the Stage Directors and Choreographers Society.
ALI HALL (Lighting Designer) is a Brooklyn based artist working in the fields of performance art, theatre, and opera. Upcoming and recent designs include the world premiere of the experimental opera Stranger of Paradise (Opera Omaha/GPTC), the world premiere of Save the World! (The Anthropologists/The Ice Factory), Iceman Cometh, Act IV (Target Margin Lab), Material Witness (Spiderwowman Theater), and Now We Start From the Arm (Spotted Deer Productions). In addition to her own designs and performance art work, Ali works as an Assistant Lighting Designer, a teaching artist for Town Hall and the Resident Lighting Designer for York College. Additionally, Ali was invited to attend the Great Plains Theatre Conference as a member of the Design Wing in 2015 and 2017.
Nora Sorena Casey REINA HARDY (Playwright) is a playwright. Her plays, which usually contain magic and sometimes contain science, have been seen across the country, including at Rorschach Theatre in DC, the Vortex in Austin, and the 2013 NNPN National New Play Showcase. She's a Michener Fellow, winner of the 2014 KCACTF TYA Prize, finalist for the Terrence McNally Prize and the recipient of an Interact 20/20 Commission. She can make things happen with her mind.
SAM KASETA (Sound Designer, Composer) is a composer, writer, and sound designer from Hartford, CT. She is currently pursuing her Master of Music in concert composition at NYU Steinhardt, after graduating from Princeton in 2015. You can catch her opera and music theater at The Tank NYC and her singing with choral music collective C4.
ANAÏS KOIVISTO(Director, Costume Designer) is an NY-based freelance director, and the Artistic Director of Everyday Inferno Theatre Company. She has directed for Pipeline Theatre Company, FringeAL FRESCO, Match:Lit, Seiche Productions, Spicy Witch Productions, the FRIGID Festival (Hangover Encore selection in the 2014 and 2015 festivals), Looking Glass Theatre, 3V, CORE Artists' Ensemble, and is currently in residence at The Access Theater working on the development of Regina Robbins' Quicksand. Anaïs holds a BFA from Boston University and has studied at LAMDA and ACT, is a New York Affiliate member of Seiche Productions, and has served as a member of (Re:) Directions Theatre Company and the Theatre Artists' Conspiracy. www.anaiskoivisto.com
JON MEYER (Stage Combat) is many things, but for all intents and purposes he is an Actor and Fight Choreographer from the great state of Kentucky. He is incredibly grateful to be working with Everyday Inferno on yet another wonderful project!
FRANCES SWANSON (Production Stage Manager) originally from Arlington, MA, holds a BA in Technical Theater from the University of Rochester. She has credits from various productions in Western NY and MA. She currently resides in NYC and is the resident stage manager for Spicy Witch Productions. 
KATHERINE SOMMER(Producer) is a New York-based producer and director, a Skidmore College graduate, and the Producing Director of Everyday Inferno Theatre Company. With Everyday Inferno, Katherine’s directing credits include the world premiere of Punk as Fuck, By Sun and Candlelight, and Stella Starlight: Queen of Space and The Policy as a part of If on a Winter’s Night…. Katherine has produced The Turn of the Screw at the historic Morris-Jumel Mansion, A Map to Somewhere Else, Something Wicked and Heart of Oak (Hangover Encore selections in the 2014 and 2015 FRIGID New York festivals), and Briar Rose & the Thirteenth Fairy. Katherine has served on the board of Tomfoolery Theatre (NJ), and has directed multiple short plays at the Looking Glass Theater (NY).
* Indicates members of AEA
† Denotes Everyday Inferno company members